Hey folks! Now that I am through with the Dragon Series, let me introduce you to the next couple of paintings, the subject being, Divinity. For this set of artworks, I have attempted to capture the essence of the Buddha onto my canvas.
The first painting, titled “Enlightenment”, is a portrait of the Buddha. The word Buddha is not a name, but a title, which means the enlightened one or the awakened one. It is a Sanskrit word that means “a person who is awake”. What a Buddha is awake to, is the true nature of reality. When the Buddha passes into the peace of Nirvana, it is like a transformed state of existence.
This perfect state of existence, where knowledge or wisdom co-exists with compassion, is called Enlightenment. Knowledge here does not means worldly knowledge of things around us, but a true understanding of reality and the intrinsic nature of things surrounding us. Enlightenment is so much beyond the realm of outside ordinary experience that it cannot be described, but only be realized and felt within ourselves. If I were to put it in words, it would be a paradise within us.
I call this painting a partial portrait, wherein I have painted only half of the face of the Buddha, representing that true reality He sees upon attaining Nirvana. Once enlightened, He is oblivious to all external influences, thus the other half, which symbolizes a superficial exterior, ceases to exist.
The medium I have used for this portrait is oil paints. However, I have been a tad bit adventurous with the background of this artwork! I am greatly inspired by the palette knife technique of my all time favorite artist, Leonid Afremov. He is a Russian–Israeli modern impressionist, who works mainly with a palette knife and oils. Using his unique knife painting technique, he dabs paint onto the canvas in relatively thick and small strokes, creating paintings that seem to be a burst of countless bright colors.
Using a palette knife to paint is very different from a brush. A brush bends and flexes as you move it. The palette knife is a more rigid tool. It can be used to carefully add a straight line or toss on a huge blob of paint. While Leonid possesses his own signature style, I have attempted to reproduce similar effects using a brush instead of a palette knife in my painting. Also, instead of using several colors (like Leonid does), I have used different tones of blue to create an Ombre effect as part of the background of this artwork. Ombré (literally “shaded” in French) is the gradual blending of one color or hue into another, usually moving tints and shades from light to dark.
Sounds Greek and Latin to you? I shall attempt to “enlighten” you all in detail on these terms some other time. For now, it’s Adios till my next post!!