Tag: enlightenment

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Kilkhor – The Sacred Circle

The artwork in today’s post is titled “Kilkhor – The Sacred Circle” and takes inspiration from the Tibetan Mandala and Thangka paintings. The Tibetan word for mandala is “Kilkhor,” which means “center of the circle with exterior walls and surrounding environment.”

The artwork

Mandalas are two- or three-dimensional ritual objects found in Tibetan Buddhist and other religious traditions. They are seen as objects for meditation, assisting in spiritual development. They represent the universe, and all the symbols represent one’s spiritual journey, from birth through life to death, interconnecting all living things. This spiritual journey is portrayed in the mandala through the various layers, starting form the outside to the innermost core, which in turn represents the ultimate destination of every soul – enlightenment.

In this artwork, the mandala that has been illustrated serves as a tool for gaining wisdom and compassion by guiding individuals along the path of enlightenment. It is a cosmic diagram or geometric pattern representing the various layers of worldly vices and weaknesses that one needs to overcome and the virtues that one needs to adopt and practice in order to attain the final goal of Nirvana.  These 8 layers, starting from the outside and moving inwards in concentric circles are:

  • The eight vicissitudes (Outermost/1st layer) – Pleasure, pain, loss, gain, blame, praise, fame and disrepute.
  • The six roots of the mind (2nd layer) – Love, delusion, wisdom, hatred, generosity and greed.
  • The five precepts (3rd layer) – Lust, False/harsh speech, intoxicants, killing and stealing.
  • The five hinderances (4th layer) – Anger, sloth, restlessness, doubt and desire.
  • The three kinds of suffering (5th layer) – Suffering of conditionality, suffering of change and suffering of pain.
  • The four noble truths (6th layer) – The truth of existence of suffering, the cause of suffering, the cessation of suffering and the path leading to the cessation of suffering.
  • The Noble Eightfold Path (7th layer) – Right view, right thought, right speech, right action, right livelihood, right effort, right mindfulness and right concentration. This layer also represents the eight auspicious symbols associated with Buddhism, namely – the conch, endless knot, pair of golden fish, lotus, parasol, vase of jewels, Dharmachakra and victory banner.
  • The Zen Circle (Innermost/8th layer) – This is the circle of enlightenment, the final destination for peace and mindfulness.

Each layer is divided symmetrically into equal portions representing each of the respective qualities or elements associated with it. Traditional motifs employed in Thangka paintings and Tibetan mandalas have been used to illustrate them in different colours. The calligraphic script next to the mandala is a stylized version of the Tibetan alphabet for “Om”, which has been further accentuated with some common Buddhist mantras also in Tibetan script.

This mandala symbolizes every individual’s endeavor to overcome all the worldly attachments (represented in the first five layers), realizing and accepting the four noble truths (represented in the sixth layer) and finally adopting the eight noble virtues (in the seventh layer) through the power of meditation and detachment in order to transcend metaphysically into the pure state of awakening (the eighth and innermost layer).   

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The Big Reveal!!

Hey fellow art enthusiasts! As promised, here I am with the outcome of the little snippet I shared in last week’s post!! So, are you all ready for the big reveal? Here it is!

This is it!
The final artwork

This watercolor artwork is called Bo Tree – The Emblem of Enlightenment. It is a representation of the Bodhi Tree (Ficus religiosa), under which Siddharth Gautam, who later became known as the Buddha, is said to have attained enlightenment or Buddhahood.

The Bodhi Tree is a principal religious symbol in Buddhism due to its prominence in the Buddha’s discovery of enlightenment, or total peace and happiness in the form of Nirvana, or the greater reality. “Bodhi” means awareness and Bodhi tree means the tree under which Buddha becomes fully aware of the noble truth of the universe.

Essentially the ‘tree of awakening,’ also known as the Bo Tree, in Pali it is known as the “bodhirukkha,” in Sanskrit the “bodhivṛkṣa” and to botanists as Ficus religiosa. Given its close association with the attainment of Buddhahood, the tree has great symbolic significance.

This tree as depicted in the artwork represents the supreme knowledge acquired by the Buddha during his tireless meditation. It conveys the teachings and sermons he preached and passed on to his disciples and followers. These teachings are illustrated in the artwork in the Pali script and represented as scribbles in the canopy of the tree.  The tree reflects the capacity of every human being to follow in the footsteps of the Buddha in achieving the ultimate spiritual goal by letting go of the finite self through meditation and self-discipline. The heart-shaped leaves of the Bodhi tree symbolize peace and happiness developing in one’s heart during the journey towards Nirvana.

The Bodhi tree is the DNA of Buddha’s teachings, an emblem of peace and a reminder of the eventual prospect of enlightenment that lies within us all.  

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Guess What’s On My Easel?

Hey folks! This week it’s going to be a short and sweet post. Working on a new project, albeit part of my ongoing “Buddha Sutra” series. Here’s a small snippet of what I am working on currently. Take a guess as to what it could be!

Do share what you think it is in the comments section below. Would love to hear your ideas. And yes! Look out for the final artwork which will be up soon!!

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Padme – The Spiritual Bloom

Padme – The Spiritual Bloom

“Just like the lotus we too have the ability to rise from the mud, bloom out of the darkness and radiate into the world.”

The lotus is one of the most revered and sacred symbols of Buddhism. It is this holy symbol that is the subject of today’s artwork tilted, “Padme – The Spiritual Bloom.”

The lotus represents spiritual awakening, purity, and rebirth as the act of emerging from muddy water symbolizes rising above the challenges and adversities of life and moving towards the light of wisdom. It also represents nonattachment, as it is rooted in mud (attachment and desire) but its flowers blossom on long stalks untarnished by the mud below (detachment).

Another important aspect of the lotus is that when it blossoms, it simultaneously plants a seed, representing the Buddhist concept of cause and effect, whereby the flower is symbolic of the cause and the seed-pod the effect.

The lotus serves as a reminder that all beings can attain enlightenment. Just as the blossom rises from the depths of murky ponds and lakes to bloom immaculately above the water’s surface, so can the human mind develop the virtues of the Buddha and transcend desire and attachment to reveal its essentially pure nature. It symbolizes the blooming of the soul from the filth of the physical world, eventually flourishing in the bright sunshine of enlightenment and attaining nirvana.

There are a variety of colors of the lotus associated with Buddhism. The pink lotus is the supreme one and is the true lotus of Buddha. It is for this reason that the Buddha in this artwork is depicted seated on a pink lotus, which indicates His enlightened and divine status.

 All symbolism associated with the lotus points towards finding spiritual meaning in life. We all are like lotus blooms in the universal pond, striving to realize our true potential.

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“Ariya atthangika magga” – The Noble Eightfold Path

“There are no enlightened beings, only enlightened actions.”

Buddhism revolves around the principle of Dharma and encompasses various traditions, beliefs and practices of Lord Buddha. Buddha gave his first sermon in Sarnath to Kaundinya and four other scholars. In Isipatana of Sarnath, he preached about Dhammacakkappavattana Sutta, which includes Four Noble Truths and Noble Eightfold Path.

It is these fundamental doctrines of Buddhism that have been displayed in the artwork shown below, the title of the artwork being, “Ariya atthangika magga” – The Noble Eightfold Path. The Noble Eightfold Path is one of the principal teachings of Buddhism and is the fourth truth of the Four Noble Truths and regarded by Buddha as the medium to attain Enlightenment.

This artwork depicts the Noble Eightfold Path through the Dharma Wheel (Dharma Chakra), with its eight spokes representing the eight elements of the path, namely – right view, right resolve, right speech, right conduct, right livelihood, right effort, right mindfulness, and right concentration (or “samadhi”).

The four circles in the corners represent the Four Noble Truths, namely – The existence of suffering, its cause, its cessation and the path leading to its end. The path alluded to in the fourth truth is the Eightfold Path, which ultimately leads to enlightenment or Nirvana. This path is also depicted textually in the form of Tibetan manuscripts in the background of the artwork.

The Noble Eightfold Path is all about ending the suffering of life and achievement of self-awakening.  It enables us to overcome the “I” and attain harmony with the world around us. Being always awake and aware, is fundamental to a good life.

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Buddha Charita – The Life of Buddha

“It is better to conquer yourself than to win a thousand battles. Then the victory is yours. It cannot be taken from you, not by angels or by demons, heaven or hell.”

The Buddha introduced into the world a philosophy which helped mankind navigate through his suffering. The life he led and the experiences that made him confront suffering also guided him to his final destination – the attainment of enlightenment. Buddha symbolizes a path to liberation and detachment from the triviality of the material world.

The most well-known historical account about the Buddha is the story of his life. It is this divine narrative that has become the inspiration for my latest artwork titled “Buddha Charita”, which is also the culmination of my new series – “Buddha Sutra”. Here’s an image of the artwork I have created:

Buddha Charita

Link to a video clipping of the painting – https://www.instagram.com/p/CdSddp6JL2k/

This watercolor artwork is a visual narrative linking several events in the life of the Buddha from his days as Prince Siddhartha Gautama, his confrontation with suffering, his quest for a path towards the cessation of this suffering and his final liberation in the form of his “awakening”.

The first embodiment of the Buddha as the royal Prince Siddhartha has been represented in the right-hand corner of the artwork by an image of him, resplendent with royalty. This is followed by the next stage in his life, where he comes across the sight of a decrepit old man, a sick man, and a corpse which have all been portrayed one below the other in the artwork. These sights changed the perspective of the prince and opened his eyes to all the suffering that accompanies life. Also depicted in the painting, is the image of an ascetic that Gautama encountered, who had learned to seek out spiritual solace in the midst of these worldly miseries and sorrows. Determined to find the same enlightenment, Gautama turned towards the path of renunciation.

After exploring asceticism, or restraint from all physical needs and desires, he discovered meditation and used the practice as a path toward enlightenment. This led to the third stage in the life of Siddhartha, which is displayed in the artwork as the central image of the Buddha, “the awakened one”. The tree on the extreme left of the painting represents the sacred Bodhi tree or the fig tree (Ficus religiosa) under which the Buddha meditated and finally reached the highest state of enlightenment or “nirvana,” which simply means “awakening”.

In addition to the figurative representation of the Buddha himself, his teachings have also been represented in the artwork through iconographic symbols of the likes of the Lotus flower and the Dharma Wheel. Other icons displayed in the artwork include various Buddhist monuments like pagodas and stupas, specifically the Sanchi Stupa, which is considered to be the most sacred monument of Buddhism, as it represents and displays various Buddhist ideals.  

Through this artwork, I wish to honour Buddha’s life, for it is a reminder of the basic Buddhist principles that form the stepping stones to a higher spiritual level.  It is these principles that serve as a source of strength in the grief-stricken world. It is my attempt to convey the philosophy of Buddha by reflecting on his life’s experiences and pledging to practice inward reflection to overcome sorrows, just as he did.  

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“Moksha” – The Moral Compass

Hey all! I know I have been MIA for quite some time but I’m back now with a new post about my most recent artwork. This too has been long overdue, as I allowed procrastination to get the better of me, but finally, I have succeeded in completing it!

In one of my previous posts, I had talked about how a book can become the source of inspiration for my art, in particular the third book of the Ram Chandra Series – Raavan: Enemy of Aryavarta, by the Indian author Amish Tripathi. This work of fiction chronicles the life of Ravan and portrays him as an artist among other things. One of the excerpts from the book describes a painting made by him that is not only a character sketch of himself but also a logically befitting description of the concept of “dharma” or the “righteous path”. (Click on the following link to read this post – https://theartdungeon.blog/2021/06/06/inspiration-calling/).

The beautiful artwork created by Ravan and described in this excerpt was not just a vivid description of Ravan’s psyche, but also a profound portrayal of his struggle to attain the right direction through the “moral compass” called dharma.

This one-of-a-kind piece of art became my muse purely because of the distinctive way in which it brings out the true essence of Ravan. I was so enamored by his narrative that I couldn’t wait to interpret it in my own way and create my very own version onto my canvas. Finally, I managed to do that and here I present to you, my acrylic painting titled “Moksha”.

In the book, Ravan describes a painting created by him that depicts his struggle to attain enlightenment. I have attempted to depict his mental turmoil and his desperate attempts to scale the wall of the Nine emotions or the Navrasas that hold him down. The ten heads in my artwork correspond to the ten heads of Ravan himself. Out of these, 9 represent the Navrasas, one for each emotion, whereas the tenth head is the state of spiritual awakening that Ravan is striving to achieve.

I have further attempted to add on to the concept by depicting the 7 chakras or the main energy centers that control our body. My endeavor is to reaffirm that one can only transcend the wall of emotions by opening up all the chakras, allowing energy to flow freely, thereby harmonizing the body, mind as well as the spirit.  It is only this equilibrium that can help one attain physical, emotional and spiritual “moksha” – which was not just the “righteous path” being pursued by Ravan, but also the “dharma” attained by the Buddha.

Hope you all like my approach towards Ravan and his “moksha!”

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Lockdown Art – Light at the End of the Tunnel

“Sometimes life seems a dark tunnel with no light at the end, but if you just keep moving forward, you will end up in a better place.”

In the current COVID-ridden times, we seem to be stuck in an endless tunnel of lockdowns and curfews. Just when we think the exit is around the corner, it seems to stretch on further at the very next turn. That’s exactly what’s happening presently, what with lockdowns being extended incessantly across the world.

The worldwide lockdown has changed our lives drastically, engulfing us in the darkness of uncertainty as we remain restricted within our four walled fortresses.  People all over the world are experiencing this darkness in varying forms, be it curfew, lockdown, isolation or quarantine.

This Global Lockdown is what I bring to you as an artwork in today’s blog entry, which is inspired by and named after the very phrase – “Light at the End of the Tunnel.” Another rendering in watercolor, it is a symbolic representation of the multiple lockdowns that our world is being subjected to in order to slow down the pandemic. I have used the contour of a keyhole to depict the dark cavernous tunnel of confinement. Each keyhole silhouette represents a lockdown phase and together all the contours collectively form the tunnel that we seem to be traversing through.

Light at the End of the Tunnel

I have used the technique of perspective to illustrate the three dimensional view of a tunnel onto the two dimensional surface of a paper with an attempt to make it as natural and realistic as possible, at the same time creating an illusion of space and depth. The innermost keyhole signifies what lies beyond the tunnel – the light of hope. It’s this light that we need to see beyond the darkness of the seemingly never ending lockdowns, but to do so we have to travel all the way through the dark abyss with the faith that what lies at the end of the tunnel is the much needed relief of the confinements being eased.  This light gives us hope that the end is just around the corner.

The tunnel in my artwork symbolizes our journey through these dark times, which seems as gloomy as the path itself. We find ourselves entrapped in the darkness of this murky cavern unable to navigate our way ahead through the sufferings we encounter on the way. The only way to beat this darkness and get through to the other side is to divert our thoughts towards the light of positivity, thereby asserting our faith in the fact that respite in close at hand. We need to channelize and transform the gloom into our strength and illuminate our resilience to go through with the sojourn. To find the light at the end of the tunnel, advance through the darkness knowing that nothing lasts forever and this too shall pass. 

The light in my artwork also represents the hope-filled signs that this crisis will end soon. These signs include efforts of the likes of social-distancing, testing, contact tracing, isolation and quarantine which at least for now are helping us in controlling the spread, until effective treatments and vaccines can help us put the virus back in it’s box. I opted for a monochromatic grayscale color palette to render the contours of the tunnel as it represents how we view the world during the lockdown – in black and white.

In this global crisis of uncertainty and unpredictability, everything depends on the effectiveness of containment measures which can only attain their full potential when followed stringently. So let us all kindle the spark of positivity and help it guide us through to the end of the tunnel where the light awaits us. For –

There is a light at the end of the tunnel, but the way out is through.” — David Allen

A Tryst with the Divine

Hey folks! Now that I am through with the Dragon Series, let me introduce you to the next couple of paintings, the subject being, Divinity. For this set of artworks, I have attempted to capture the essence of the Buddha onto my canvas.

Enlightenment

The first painting, titled “Enlightenment”, is a portrait of the Buddha. The word Buddha is not a name, but a title, which means the enlightened one or the awakened one. It is a Sanskrit word that means “a person who is awake”. What a Buddha is awake to, is the true nature of reality. When the Buddha passes into the peace of Nirvana, it is like a transformed state of existence.

This perfect state of existence, where knowledge or wisdom co-exists with compassion, is called Enlightenment. Knowledge here does not means worldly knowledge of things around us, but a true understanding of reality and the intrinsic nature of things surrounding us. Enlightenment is so much beyond the realm of outside ordinary experience that it cannot be described, but only be realized and felt within ourselves. If I were to put it in words, it would be a paradise within us.

I call this painting a partial portrait, wherein I have painted only half of the face of the Buddha, representing that true reality He sees upon attaining Nirvana. Once enlightened, He is oblivious to all external influences, thus the other half, which symbolizes a superficial exterior, ceases to exist.

The medium I have used for this portrait is oil paints. However, I have been a tad bit adventurous with the background of this artwork! I am greatly inspired by the palette knife technique of my all time favorite artist, Leonid Afremov. He is a Russian–Israeli modern impressionist, who works mainly with a palette knife and oils. Using his unique knife painting technique, he dabs paint onto the canvas in relatively thick and small strokes, creating paintings that seem to be a burst of countless bright colors.

Using a palette knife to paint is very different from a brush. A brush bends and flexes as you move it. The palette knife is a more rigid tool. It can be used to carefully add a straight line or toss on a huge blob of paint. While Leonid possesses his own signature style, I have attempted to reproduce similar effects using a brush instead of a palette knife in my painting. Also, instead of using several colors (like Leonid does), I have used different tones of blue to create an Ombre effect as part of the background of this artwork. Ombré (literally “shaded” in French) is the gradual blending of one color or hue into another, usually moving tints and shades from light to dark.


Sounds Greek and Latin to you? I shall attempt to “enlighten” you all in detail on these terms some other time. For now, it’s Adios till my next post!!